Daniel Greenfield @ Frontpagemag:
Hardly had the blood been scrubbed off the floors in Newtown than everyone who was anyone had begun shifting the blame from Adam Lanza to some intangible social failure.
Back in 2002, Michael Moore trundled his bulk over to Colorado to exploit the Columbine massacre for a general rant about gun culture, American foreign policy and how hard it was to find a shop selling bacon grease by the ton at two in the morning.
In his film, which won an Oscar for Best Documentary, Moore gave his audience what they wanted, lots of scenes of “hicks and hillbillies” buying, selling and giving away guns all over the place to illustrate the murderous ravages of American gun culture. Some of those scenes were staged, but it didn’t matter since Moore was catering to an audience that had nothing but contempt for working class Americans and would believe any awful thing about them.
What did gun culture have to do with a plot by two disgruntled dorks with tastes in pop culture far afield from the rural gun-loving dystopia that Moore was doing his best to depict? About as much as gun culture has to do with headcases like Adam Lanza or Jared Loughner.
Your average school shooter is unhappy and angry, irreligious, incapable of fitting into a community and filled with rage that he exercises through violent fantasies. His culture isn’t gun culture. It’s loner culture. Video games do not cause him to kill, but they are how he entertains himself until he can get a taste of the real thing.
Adam Lanza, Dylan Kleibold, Eric Harris, Seung-Hui Cho, James Holmes, One L. Goh and Jared Loughner had as much in common with what the Michael Moore Fan Club thinks of as “gun culture” as Michael Moore does with the working class. Whatever gun culture they had was not the American Scots-Irish culture of the hunter, the rancher and the militia member, but the urban posse of emasculated men of no worth that brandish weapons as a way to get respect.
The gun culture of the school shooter is the lobby scene in The Matrix, the frag or be fragged multiplayer gaming culture of Halo and Doom, and the Joker killing his way across Gotham. None of these products of mass entertainment make one a killer, but they are also far more illustrative of the type of gun culture that defines school shooters, than anything that Michael Moore and the MSNBC talking heads mean by gun culture.
For most Americans there is no gun culture, only the ownership of guns. To the extent that any gun culture has developed it was in response to a gun-control culture that sought to demonize the ownership of firearms. The traditional and religious culture of the American gun owner has little in common with the power fantasies of the school shooter. To the gun owner, a firearm is a necessary tool. To the school shooter, it is a way to stop feeling powerless, a way to get beyond the ersatz joys of killing bots and avatars, of watching Keanu Reeves spin through the air while filling a mob of policemen full of lead, with the joy of the real kill.